Spettacolo di Teatro musicale
Progetto “Fondazione Haydn/Vincitore Fringe, II Edition”
Musica
Arnold Schönberg, Kammersymphonie n. 1, op. 9 (arr. di Anton Webern)
Editore Universal Edition AG
eseguita da
MARCO DALPANE (maestro concertatore e pianoforte), MARCO SERINO (violino), CHRISTIAN BERTONCELLO (violoncello), ANDREA MAIRHOFER (flauto), ROBERTA GOTTARDI (clarinetto)
e composizioni originali di ed eseguite da
VALERIA STURBA (voce, violino, theremin, music toys) e VINCENZO VASI (voce, theremin, music toys)
Danzatori
VALENTINA DAL MAS. TOMMASO MONZA, GISELDA RANIERI
Direzione e rielaborazione musicale
MARCO DALPANE
Progetto, drammaturgia, coreografia, scene e costumi
MICHELE ABBONDANZA e ANTONELLA BERTONI
Luci
ANDREA GENTILI
Voci fuori campo
MICHELE ABBONDANZA, ANTONELLA BERTONI, MARTA MARCHI
Realizzazione maschere
NADEZHDA SIMEONOVA
Collaborazione al progetto scenico
TOMMASO MONZA
Squadra tecnica
ERWIN CANDERLE, CLAUDIO MODUGNO
Servizi organizzativi e amministrativi
COMPAGNIA ABBONDANZA/BERTONI, FONDAZIONE HYDN DI BOLZANO E TRENTO
Nuovo allestimento
Produzione
FONDAZIONE STIFTUNG HAYDN
In coproduzione con
COMPAGNIA ABBONDANZA/BERTONI
con il sostegno di PROVINCIA AUTONOMA DI TRENTO - SERVIZI ATTIVITA' CULTURALI
COMUNE DI ROVERETO - ASSESSORATO ALLA CULTURA
Ringraziamo
ROBERTA GIORDANI
Durata 50‘ _ senza intervallo - anno di creazione 2020
The Company play with the musical theater working with the musician Marco Dalpane, the soloists of the Haydn Orchestra and the duo OoopopoiooO (Vincenzo Vasi and Valeria Sturba). They deals with an elaboration of Schönberg's original score "Symphony of Chamber 1, Opera 9 ".
Arnold Schönberg's musical thought has influenced the art world, questioning the idea of ​​harmony and the concept of time, pushing the cinema and theater worlds to reflect on that. Nobody like director David Lynch thought of cinema as a journey through time, an expansive and collapsed time, pulverized and set on fire by sudden flashes. However detached from the linearity of the classic temporal articulation.
CLOW TIME is the result of the encounter between the chamber music of Arnold Schönberg and the cinematographic work of the director David Lynch, The transformed music will define a final environment (the cycle will be repeated several times), of alienation and relational incapacity, loosely based on the series of seven short films: Lynch's "Rabbits". Repetitive movements, sentences made and without any connection between them, will define a "daily" and the same, repetitive, obsessive "story" of alienation, incommunicability and isolation of the contemporary human being.
"Nobody loves a clown at midnight"
In this middle time we present our masks, through the decomposition and sonic disharmony of Arnold Schönberg and drawing inspiration from David Lynch's vision.
We will see an orchestra appear and disappear, three anthropomorphic characters and their voices off the pitch, a duo of kaleidoscopic musicians: contemporary ferrymen among these ephemeral appearances.